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Hello, and I'm sorry
A salutation and a farewell
I don't have much time.
If this were a movie,
I would ride off in some blood red sunset down a stretch of desert road
into the wasteland that keeps us captive here.
But this isn't a movie,
these are the Badlands.
Album: Badlands | Alternate Cover
Tracklist and Lyrics: Genius
Release Date: August 28, 2015
popheads [FRESH] Thread: Here
Listen: Album Trailer | Apple Music | Spotify | YouTube | Live Album
Badlands is an electro-pop
Now, this album is excellent musically, but what really made this my FAVORITE of the decade, was the marketing campaign surrounding it (also the fact that I managed to see her both at the beginning and end of 2016 - go see her @ the Manic tour, her music is at its best live.) It truly felt like a moment and I don't think anything can top it for me. If you remember Harry Styles' Eroda-marketing campaign from a couple months ago, it was something like that - just better (through my nostalgia-tinted glasses, at least). Much of the "concept" part of the concept album was just visible through the marketing.
First came the website - welcometobadlands.com (of which I managed to find a single archived picture). There was also the touristy twitter account @VisitBadlands, which posted cryptic tweets related to the album release. There was a tourist phone number you could call, complete with a creepy message from Halsey herself. She gave out passports with tips of how to survive in the Badlands (the answer: Keep Running). She even "leaked" the album cover through the twitter account, and played small snippets of Young God on the website. It also doubled up as her merch store and the place she dropped her first set of tour dates.
Halsey used this marketing campaign to "leak" a version of Coming Down, through a soundcloud account called BadlandsRadio. She also sent some free posters and stickers to her fans to promote the record. There were treasure hunts, having people run all over New York and taking them to the places in New York that inspired Badlands - the prizes were all access backstage passes to the final show of the tour. Basically, the whole era was really interactive and I don't think fans would have connected with the album as well as we did, without it.
An important part of this album, regardless of how much you like or dislike it, was the 'era' it was produced in - the TumblrTM era. Everything from the lyrics, the aesthetics, the production points to Badlands being THE tumblr record. Not necessarily the most widely enjoyed album by Tumblr users, but it's the most Tumblr-esque of them all. It's very much a post-Pure Heroine and Born To Die-album. Halsey stood out with her long, blue hair and rants about feminism and racism
So, now that I've talked way too much about the era as a whole, I'm gonna break down the full record as individual songs:
Already choking on my pride,This shimmery piece of electropop opens up Badlands. It serves as an introduction to the Dystopian society of Badlands. Halsey immediately sets the tone for a struggle between her, the hero, and the (patriarchal) society around her. There's a mention of "they" wanting to make her their queen, which combined with the quoted lyrics above and the chants of "Agnus Dei" makes it clear that being the queen isn't something Halsey wants - it's a sacrifice she's making. This song was later turned into an orchestral version for the "Huntsman: Winter's War"-movie.
so there's no use crying about it.
I sold my soul to a three-piece,The story continues in Hold Me Down, which was inspired by Halsey's dealings with men in the music industry - specifically Atlantic Records' Publishing Group, which tried to sign her. It also samples Easy by Son Lux. She refers to the men she's dealing with as the devil, again setting herself up to be a hero in the Badlands. At the same time she admits her flaws, calling herself selfish, filled with demons and spineless. Because of this, she lets herself be held down by the devil.
and he told me I was holy.
Survival of the richest,If you have heard just a single song off of this album, this is probably the one. This song, along with the impromptu Blink-182 mall cover are go-to "easy" punches for Halsey Haters. They argue it's faux-edgy, faux-anthemic, shallow and just plain annoying. The backlash against this song even resulted in Halsey dis-owning if for like 2 full years, and calling it "ironic" (which it most definetly wasn't). While I get why this song could rub some people wrong, I would argue that it's a very catchy song and that the lyrics aren't "faux"-anything - they're so earnest that it borders on painful. The lyrics may be cringey, but it won't stop me from yelling along to the song while driving in my car. The first verse talks about the nouveau rich, getting famous through the internet, while the second verse talks about gay marriage - which was made legal in all states just two small months before this album dropped. It's a song about believing in the youth and believing that society can change.
the city’s ours until the fall.
Sick and full of pride,Drive is a pretty straightforward love song about being in love with someone, but not knowing how to go about it. The strength of the song lies in its production and the beautiful harmonization between Halsey and the male backing vocals provided by Lido. The production creates a beautiful backdrop for a simple love story - the sound of Halsey turning on the ignition, the turn signal-beat, the swerving noises, it all contrast with the simple guitar plucking. If you close your eyes while listening to this, you can feel you're in the car watching a very intimate story play out. Halsey described this as one of the few happy songs on Badlands, saying it's the point in the story where she finally leaves the Badlands.
all we do is drive.
Don't belong to no city,This song was originally included on Halsey's debut EP, Room 93, and was carried over onto the deluxe edition of Badlands. It's a self-empowerment anthem about Halsey taking power in her relationship with both a person (Zach, the boy behind bricks) and the city she lived in, New York City. Whenever she does this song live she explains that the song is "a reminder that you do not belong to anybody but yourself". It sounds trippy, dreamy and distant. Throughout the song you can hear a "hurricane"-motif, which gets a call-back in Gasoline.
don't belong to no man.
Feet first, don't fallThis. This is my favorite Halsey song of all time (unless anything on Manic manages to rear its head forth). Roman Holiday was produced by the masterful trio that is Captain Cuts. The song is such an explosion of joy, nostalgia and freedom. Halsey explained that this song was about "escaping from the problems of your real life – not looking back on them and finding solace somewhere else". The song sounds escapist, but in a freeing way. The choruses are fiery and then the bridge comes along and amps everything up another level. It's the perfect pop song. Roman Holiday introduces the motif of "running, again". While the lyric on its own doesn't make much sense, combined with the rest of the album, it becomes apparent that the thing that Halsey is running from is her mental illness - the depression and the mania.
or we'll be running again.
And I swear I hate you when you leaveGhost is a really fast paced electropop cut, originally from Room 93. It was the song that put Halsey on the map, the song that got her signed. The original demo-version went slightly viral on Soundcloud and suddenly she had labels knocking on her door. She ended up with Astralwerks, mostly because they gave her a lot of creative freedom. A knee ways, this song is very dreamy and the verses are super catchy. It's shimmery and dark, very TumblrTM. If you want to read more, I have a writeup just about this song too.
but I like it anyway.
I'm still waking every morning,This song (which is most definetly not about Halsey's relationship with a certain Matt Healy from The 1975) was a fan favorite before the album even dropped, having been played at a live show a couple moths prior to the Badlands release. I remember literally downloading the Troubadour-live version as an mp3 and putting it in my Spotify-library. That's how thirsty us fans were for new Halsey songs in early 2015. The song grew out of a poem she posted on her Tumblr, which she ended up turning into the bridge. She ended up getting accused of plagiarizing that bridge from a Tumblr post — that she, Halsey herself made. The stripped version replaces this bridge with this simple sentence: "Art is not what I create - what I create is chaos", which definetly holds true to this date. Following the song is a cute little interlude that serves as the bridge between Colors and Strange Love.
but it's not with you.
Everybody's waiting up,It's really nice of Halsey to put the song telling everybody off for knowing that Colors is about Matty, right next to the song itself. If you want to read a poem? post? that Halsey wrote about their relationship, you can do so here at your own discretion. The song is about her being allowed to use her personal experiences in her song writing, but still having the right to a private personal life - she doesn't have to share anything and any piece of information is a gift to her fans. Personally, this is one of my least favorite Halsey songs. It's very repetitive, I find her "whoahs" annoying, the bass isn't enjoyable and I find the subject matter pretty "meh". Sorry, Leixander. At least the bridge kinda slaps.
to hear if I dare speak your name.
I found a savior,Coming Down continues the streak of "Songs About Matt Healy" on Badlands. Like on Colors, she compares their short-lived relationship to religion, saying that she found both God and the devil in the same person. She calls him both a martyr and a savior, their relationship confined to hotel rooms. Halsey knows the relationship is doomed - it keeps breaking down, but she keeps hoping that if she just makes it through another night, it will all be okay. But as we all know, it didn't turn out that way (and thank GOD for that because they would have been such an insufferable public couple).
I don't think he remembers.
I've tried to wash you away,Halsey opens Haunting with a plea for her lover to keep haunting her, despite the fact that they're no good for her - a recurring theme on this album. She admits that she's moved on, in a way, because has a new boyfriend (Lido), made of gold (she ends up calling him King Midas on HFK's 100 Letters). However, she keeps thinking of what she used to have with this past lover, even though they "weren't looking for" Halsey. The best part of this song is honestly the production, which is shimmery and dark and layered. The last 30 seconds, where Halsey's heavy breathing gets intermingled with a tender guitar is just perfection.
but you just won't leave.
I think there’s a flaw in my code,Gasoline is, in my opinion, the heart of Badlands - so I really don't understand why it's been delegated to just being a deluxe track. However, despite this, Gasoline has been certified platinum and it's one of the most streamed Badlands tracks on Spotify - without a single drop of promo. The track is a real look into Halsey's dealings with her mental health - a look at her 'Manic's self before Manic, the album was even thought of. It's a straight up banger with flawless production - the callback to Hurricane is just fantastic. It's fast paced, it's lyrically impressive, it has interesting production elements - Gasoline is Halsey at her best.
these voices won’t leave me alone.
I tried to hold these secrets inside me,We continue the mental health-focus in Control. While Gasoline is mostly a look into Halsey's anxieties surrounding her fame, which relates to her bipolar disorder, Control is straight up just about her manic brain. The track has some really great haunting 'circus'-y production elements, while Halsey paints a picture of an empty, creaking house filled with spiderwebs - just like a horror movie, with Halsey herself as the villain. The bridge tackles the very same themes she deals with on "Ashley" off of manic - her wanting to immortalize herself through her music.
my mind's like a deadly disease.
And we'll be running, running, running.At the very beginning of Young God, you can hear something that sounds like a demonic chant. In reality it's just "Forever cursed in love are the observant - forever a slave to the detail" reversed. Sonically, Young God feels like a sequel to Haunting, having the same type of shimmery and layered production details. It tells the story of two lovers who badly want to escape their current human situation, just the two of them together. It contrasts the worlds of heaven with sin, by saying that the only way they'll get to heaven is by committing sins, ie: "if you wanna go to heaven, you should fuck me tonight". Young God also concludes the "running, again" motif - first by saying that they'll be staying above all the people running, in heaven together and then at the end, admitting that they'll be the two running.
I keep a close watch on this heart of mine.This song, originally written and performed by Johnny Cash, was included on the deluxe version of Badlands instead of the absolute banger that is Garden. Why? This cover is absolute garbage and I like to pretend that it doesn't exist. Halsey says she included it on the album (and also made it so much "darker") because the "Badlands"-Halsey was literally addicted to their partner. However, that is no excuse for the terrible mixing, the lazy industrial sounds and the general "Car Commercial" vibes of the cover. #JusticeForGarden
I keep my eyes wide open all the time.
Ashes of Creation Information + Resources
submitted by AlluringSecrets to AshesofCreation
Welcome to the Ashes of Creation Sub RedditPlease remember to read and adhere to our rules!
Here you will find information about the MMORPG and Apocalypse along with various resource links.
All information is subject to change throughout the course of development.Information is updated as new details are released
Rebirth of the MMORPG
What is Ashes of Creation?Ashes of Creation is an MMORPG that aspires to have a reactive world where each of our decisions matter. An ever changing story that reflects the consequences of our actions. Ashes of Creation brings to life a world designed around that concept. From seasons that include quiet autumns and devastating winters, to a volcano that threatens to level a city, this world lives, breathes and reacts to what the players do.
Every civilization is the responsibility of the people who make it up and how that civilization evolves comes down to what we decide. If you want a city, or marketplaces or the comfort of your own home, it’s up to you to build and protect it. If a city is encroaching on your territory, it’s up to you to destroy it. Our grudges and wars, our eras of peace, these are real things created by us, where each server's history is unique.
MMO Introductory Links:
What is Ashes of Creation: Apocalypse?Apocalypse is a testing phase originally referred to as Alpha 1 part 1, however seeing a Battle Royale caused confusion and concern for the projects direction. Intrepid Studios renamed this testing phase to Apocalypse in hopes it would alleviate some of this confusion. Steven (CEO of Intrepid Studios) addresses Apocalypse and the state of the game in the March Creative Director's Letter.
Apocalypse is set during The Calamity on Verra when corruption was spreading across the planet, the survivors left behind become corrupted fighting each other as they attempt to make a last stand. You can find prequel lore in the quests and 3 different modes available in Apocalypse.
Apocalypse Modes and Testing GoalsApocalypse is a stand alone prequel, matchmaking-based arena style testing phase with three primary game modes
Apocalypse Introductory Links:
Intrepid Resources:Ashes of Creation Website
Community Creations Spotlight:From guides to quizzes you can find useful and fun community made resources here!