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Extracting individual frames from Blackmagic RAW footage with as much intact colour information as possible.
I'm thinking of approaching an upcoming outoor photo/video shoot with a slightly screwball method and I want to see if it scans with the experts here.
I have a client who want video and photos of people doing outdoor activities - hiking, canoeing and cycling.
My main camera is a Pocket Cine 6k, which of course shoots pretty decent RAW footage. I am sorely tempted to execute the photo elements by shooting short clips of BM RAW footage with suitably high shutter speeds then extracting precisely the stills I want from those bursts.
This means that if someone is executing a paddle stroke in a canoe I should have the moment where the droplets are just right; if I'm filming a family on bikes I can pick out the moment a kid pops a wheelie and smiles across at the dad. In theory it'd be like shooting on a 1D in burst mode all the time.
As far as I can tell*,* I should be able to get very large, clean manipulable still frames in the form of (probably) 16-bit TIFFS, but I want to :
- Check with you my assumption that these stills are going to be in any way comparable to a DNG from a DSLR, and if there's a gap what's it going to be like to deal with.
- Ask what might be a clean workflow that maximises the amount of colour information I'm extracting for use in Lightroom. Scroll my timeline in Resolve and export a still from there? Do the same in Premiere? Adobe Lightroom, flippin VLC player? Convert all video frames to 16-bit TIFFs and hand-pick them?
Adobe Premiere and NVIDIA users--would you like (possibly) (much) faster rendering?
Turns out, I'm not the only one. If you're using Premiere/Adobe Media Encoder and an NVIDIA GPU, load up a GPU monitor, render a file, and see for yourself. I wouldn't be surprised if you see a GPU usage spike at the beginning and end of the process and nothing else in between (e.g. 98% of the time). So much for using the GPU, right? (Or maybe I just don't know the correct format/preset to use... either way.)
Here's an alternative: NVENC-export for Premiere/AME. This is far from a final product and may throw errors/warnings. Before you go thinking your Titan X will crush video, you need to reign your expectations in a bit. Clarification: this not my product; I merely Google well. From the post:
NVENC-speed is generally same across the Kepler family - the high-end Geforce GTX Titan (or GTX780) is no faster than the entry-level Geforce GTX650, because all Kepler models share the same NVENC hardware-block, which is totally separate and independent of the GPU's 3D-graphics engine.CAVEATS: I have a Titan X, which of course isn't Kepler but is Maxwell, but I suspect the same applies. Also, you will need to find settings that work for you lest you end up with gigantic files because your bit rate is way high (default settings produce high bit rate videos--scroll down on the video settings tab to adjust the bit rate to whatever you normally use or feel is appropriate for your videos). Last, GPU usage hovers around 18% while using NVENC-export, which compared to 0% while using Adobe H.264, I consider to be an improvement. Caveats considered, I think this is a pretty interesting piece of software.
Here are my results from a highly non-scientific testing regimen: Source video: 6:57 1080p60 recorded at 40000 VBR in OBS using NVENC and the "Default" profile:
AME H.264: 8:01And another test: Source video: 19:24 1080p60 recorded at 40000 VBR in OBS using NVENC and the "Default" profile:
AME NVENC: 3:19 (This is using the NVENC-export's default settings when multiplexing to MP4)
AME H.264 25:38 (18k bit rate)(I'll include system specifics as well as my H.264 rendering settings at the end of this post for comparison's sake.)
AME NVENC: 12:32 (again, default multiplex to mp4; 9:16 using VBR with NVENC-export with 25k bit rate; 9:02 at 18k bit rate)
Get the plugin above and follow the instructions in the first post to install it. Your directories may vary, especially if you're running Adobe CC 2015.
Once you've copied the plugin to the requisite directories, go download the Nero AAC Codec and also grab a copy of GPAC that corresponds to your OS.
Now, the Nero codec is for encoding the audio and GPAC (MP4Box, specifically) is for video, and you need both of these if you plan to multiplex to an mp4 (since YouTube likes mp4s, this seems like a good idea).
Now, you can install these two things as you see fit and tell the exporter where you stored the files, or you can just install them in the default (for the exporter) directories: Nero codec directory: C:\temp\NEROAACENC\win32 and MP4Box directory: C:\temp\MEGUI\TOOLS\MP4BOX.
Once you have everything installed, you choose NVENC from the Format dropdown. From there, you'll have the regular tabs and a baffling list of options and things you can tweak. I'm no expert on these settings, but you can mouse over (hover your cursor) over the options to get a popup list of what each does.
I suggest reading the thread (original link above) for more info because I'm of no help to anyone here--I'm merely posting what has worked for me and what may work for others. I'm still experimenting with settings and haven't settled upon anything just yet.
Thus far, YouTube doesn't seem to have any problems with the one video I've uploaded and I see no obvious differences in quality between using the NVENC and Adobe's H264. I'm sure there are differences, but I'm just not seeing them.
For those who made it this far, here's my system setup for comparisons:
- W3680 6 core Xeon 3.33 GHZ
- 12 GB RAM
- Samsung 840 EVO
- Titan X
Here are my "standard" H.264 render settings:
- Audio: AAC, 320 kbps, 48 kHz, Stereo
- Bitrate: VBR, 1 pass, Target 18.00 Mbps, Max 25.00 Mbps
Edit: to clarify I have nothing to do with the project; just sharing what I found.
Edit 2: seem to have dialed in settings that get me comparable results to my Adobe H.264 settings in less than half the time (19:24 run time, 9:02 render time, 1080p60).