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My favorite outsider dance/avant-garde records from the first three months of 2018!

I'm bored in my living room watching the rain come down on the cherry trees outside, listening to this DJ Healer album and wishing I could talk to more people about music! This is my way of doing so. Here are some recommendations from winter 2018, and I hope this is valuable to any of you.
My top 5 must-listen god-these-are-so-good:
  • DJ Healer's Nothing 2 Loose (April, All Possible Worlds)
    • In a sentence: a musical hug, whispered into your headphones from somewhere in Germany.
    • Recommended if you like: Burial, The Field, Jon Hopkins
    • Connections: DJ Healer is also known as Traumprinz and Prince Of Denmark.
    • Why to listen: This is being heralded as an underground classic by followers of Traumprinz - it was released quietly on vinyl only in early April through his label. If you like ambient house that is repetitive, anonymous, and ethereally sorrowful, this one is for you.
    • When to listen: A grey, wet morning that stretches into afternoon, alone in your living room with warm headphones or good speakers :) alternatively, you could listen late into the night. this is Stars of the Lid-level lonely-romantic music.
    • Songs to sample: This album is beautifully structured, so don't spoil too much, but "2 The Dark" is a good representation.
  • Uneven Paths: Deviant Pop From Europe (1980-1991) (March 29, Music From Memory)
    • In a sentence: many, many corners to hide yourself in. Some are neon and full of glittery things, others are covered wall-to-wall in smoother and greener stuff.
    • Recommended if you like: Talking Heads, Kate Bush, Arthur Russell, Toto's "Africa"
    • Connections: This compilation came out on Music From Memory, a crazy awesome crate-diggers' label that issued Outro Tempo, last year's comp of Brazilian electronic music from the '80s.
    • Why to listen: European pop aesthetics and craftsmanship meets African rhythms during the world-music craze, but I bet you've never heard DIY Afropop from Europe. This comp is full of beautifully unexpected musical moments from people you've never heard of before. Doesn't it tempt you?
    • When to listen: A late summer evening - get some sunglasses and wear an '80s print while you do a cool activity (hiking, walking, basking in the sunset). Goes well with wine or maybe a high.
    • Songs to sample: "What You Are" is getting a lot of Arthur Russell comparisons, and it deserves it. Equally earth-shattering, though, are "Listen Over The Ocean" (sounds like tropical Cocteau Twins) and "Pictures Of Departure" (Memphis School travel agency hallucinations)
  • Hieroglyphic Being's The Red Notes (March 9, Soul Jazz)
    • In a sentence: An album with one foot planted firmly in convention and the other wandering in outer space; the beauty is in the distance required to go from one to the other. Alternatively, this video.
    • Recommended if you like: Sun Ra, Kelly Lee Owens, acid techno, Kamasi Washington
    • Why to listen: This is Chicago's answer to Sun Ra, a guy named Jamal Moss who makes jazzy, trippy dance music replete with Ancient Egyptian and Afrofuturist references.
    • When to listen: Late at night, inside. Either get really high and zone out, or get some coffee and LOCK IN - honestly, this is perfect coffee-zany music.
    • Songs to sample: I'd start with the 14-minute title track, to get a sense of the level of focus you need. This album is difficult, for sure. The first track starts at full swing, the songs are repetitive and often hard to get under, and it's about 60 minutes long. But after a few listens, you start to realize what you're listening to, and it helps to have patience. Just let yourself zone out and see what happens!
  • Potter Natalizia Zen's Shut Your Eyes on the Way Out (March 2, Ecstatic)
    • In a sentence: An ambient record full of colorfully metallic flavors that reaches a fever pitch of activity, then melts into a beautiful aftertaste.
    • Recommended if you like: Björk, Tim Hecker, CAN
    • Connections: This is a collaborative album between Colin Potter, a minimal synth pioneer and engineer for industrial giants Nurse With Wound; Not Waving, an Italian synth musician who also released this album on her label; and Guido Zen, another Italian electronic producer.
    • Why to listen: This 40-minute progressive electronic record is an amazing cohesive record that you'll want to dive into again and again. While it features a relatively wide array of genres for an ambient record, it tells such a coherent story from front to back. You'll hear kosmische music, squelchy ambient, choral ambient, and rhythmically deviant techno.
    • When to listen: Hmm... this one's hard. I'm gonna say during a nighttime drive. This music isn't too flavored one way or another, but it pairs well with a consistent activity since it's so proggy and dynamic.
    • Songs to sample: "Chaosmosis" is the big Moment of the album - it's all kraut-y synth arpeggios crescendoing. However, for a better taste of the rest of the album I would recommend "Articulated," the opener. Gives you a good taste of what you're getting into.
  • Kilchhofer's The Book Room (March 23, Marionette)
    • In a sentence: A welcomingly sprawling album that feels like a VR version of Planet Earth where you're every successively featured animal; at turns, it's overwhelmingly rich and soothingly calm, just like a humid summer day.
    • Recommended if you like: Kaitlyn Aurelia Smith, Nils Frahm, nature documentaries
    • Why to listen: This is like environmentalist ambient music; Kilchhofer (who is Swiss) said he made this record with imaginary exotic places in mind. Don't be intimidated by the fact that this is a double album, seriously - it's an album full of beautiful pieces that stand just apart enough to tell a kind of story. (If that last track doesn't signal the death of the planet, then I'll be damned. It hit me in my gut.)
    • When to listen: I'm pretty certain this is a great album for shrooms, although I've never done them. But come on. Also, try sitting on the floor, eating fruit, and watching prehistoric nature docs on mute. It's great!
    • Songs to sample: This album pushes an unmanned perspective of natural places, so you've been warned: there is no centerpiece to this album. But there are many hidden gems in the 20 tracks; good starting points are "Lubbari," "Grima," and "Chogal."
Other great albums (in order of how much i think you should hear them):
  • Peggy Gou's Once EP (March 2, Ninja Tune)
    • Peggy Gou is getting more and more famous. She's a Korean produceDJ who makes house music, and what sets her apart is the lush compositional detail of her productions. This EP has three songs - all of them are sleek and sophisticated without losing an authentic, exciting groove. Also, she sing-speaks in Korean on top of them. this music is SEXY.
  • Gumba Fire: Bubblegum Soul & Synth Boogie in 1980s South Africa (March 9, Soundway)
    • A compilation of infectious dance music from '80s South Africa. Dedicated to everyone who wants to find the next Frank Ocean cover song before he finds it.
  • Metrist's Spoils EP (February 5, Where To Now?)
    • Hyperactive, crisp techno music that has so many twists and turns that it sounds like the literal tempo is changing. Really fucking off the wall without actually being abrasive, which seems rare. You'll want to be model-walking to this one, I guarantee it.
  • CFCF's Self Service EP (February 16, SOBO)
    • Released on Project Pablo's label, this is an unexpectedly blistering dance EP from CFCF, who normally makes light, sunny downtempo music. Each one of these three tracks are amazing, and they're each a different style: cinematic techno, sunny jazz house, and pulsing French House, respectively.
  • Peder Mannerfelt's The 3D Printed Songbook EP (January 12, Peder Mannerfelt)
    • This guy helped produce some of the new Fever Ray album - he also is pretty well-respected in the community of experimental techno musicians. This EP floats spookily between periods of propulsive techno and ominous noise, but there's something that sets it apart from all the other music that does that: it's colorful.
  • Negative Gemini's Bad Baby EP (January 26, 100% Electronica)
    • An EP with a Grimes-esque fusion of dance music elements: dreamy breakbeat, dreamy punk rock and dreamy trap music combine, and they're topped with feathery female vocals and lyrics about loss and heartbreak.
  • Rezzett's Rezzett (February 23, The Trilogy Tapes)
    • If you're not familiar with The Trilogy Tapes, check out this excellent piece on them. This record is a weird-looking one, that's for sure, but repeated listens help you find a groove that is TOTALLY there. Infectious. The closing track is golden.
  • DJ Nigga Fox's Crânio EP (March 9, Warp)
    • This one is weird as fuck. If you're unfamiliar with batida music, it's a new genre coming out of Lisbon, where immigrants from Angola are making electronic music that is frantic, dusty, and disorienting. This is one of the best batida releases I've heard. 5 songs that you can tell are deeply layered and required a lot of work.
  • club soda's soda club EP (March 9, self-released)
    • Have to hype this up. This is a local band from Denver. They sound like Guerilla Toss. The production quality isn't too okay, but the composition of the songs is great. Like, good-enough-to-not-be-from-Denver great. Check out "obsession". (The vocalist is Ashley Koett, if you know her!)
  • A.A.L's 2012 - 2017 (February 16, Other People)
    • You probably know this one if you clicked on this. Regardless, it's one of the best albums of the year. Nicolas Jaar's side project applies his maximalist aesthetics to lo-fi house and disco music.
  • CV & JAB's Zin Taylor’s Thoughts Of A Dot As It Travels A Surface (February 16, Shelter Press)
    • A highly conceptual 40-minute ambient piece inspired by a Zin Taylor painting. Features a lot of running water and calm, smooth tones - but not always!
  • Cavern of Anti-Matter's Hormone Lemonade (March 23, Duophonic)
    • For fans of Stereolab - this guy used to be in Stereolab! For fans of repetitive music - check out Stereolab, then check this out. This may not be on par with a Stereolab record but it's pretty close. The first song (16 minutes long) is incredible.
  • Lawrence Le Doux's HOST EP (February 5, Vlek)
    • A cute collection of Belgian electronic experiments - most of them beatless and low-tempo. Sunny, the tiniest bit woozy, and perfect for a morning study session.
  • Joq & Zoomy's Hold Me up to the Light (March 16, self-released)
    • A weirdly illustrative album made by two anonymous pop producers from LA. Inspired by Steve Reich, with a Beach Boys sample and an uncanny-valley album cover. Really really cool stuff. Check out the first song and let me know what you think.
  • Russell Haswell's Respondent EP (February 2, Diagonal)
    • Russell Haswell has been around for like 35 years now - kind of insane. This release doesn't sound like the work of a 40-year-old veteran, though - it's fucking abrasive as fuck. And super weird too. I would try this if you like Death Grips, but not if you don't like avant-garde fashion. If that makes sense. This music is a fuck-you, but it's not that populist at the end of the day. Still awesome. Last song goes.
  • Mary Yalex's River EP (March 23, KANN)
    • Silvery IDM that sounds like raindrops on a car window.
  • Shakarchi & Stranéus' Steal Chickens From Men And the Future From God (March 23, Studio Barnhus)
    • Tracks 3, 4, 6, and 7 are some of the best house music I've heard this year. The rest is okay.
Thanks for reading! PM me to tell me what you like and dislike. Recommend me stuff too! Also, here's my RYM.
Owen
submitted by signalmodulator to indieheads

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